Saturday, April 2, 2011

The Mask

Every time I smile I put it on. The Mask. If another man walked into my bedroom, put his hands on his hips and said “This looks like home,” I’d call him out as an imposter, an interloper, a thief. But am I any less than he? I stand behind the sandwich counter, smile at the customers. How are you they ask, doing well I reply. I may smile, but inside I am screaming that I don’t want to be here, but I have to be here because I have a life to live. I joke with my coworkers, laugh in way that just kills me, because it’s all fake. The Mask is painted with garish colours, because every other face I see is just as bright.


The Mask is safe. I have spent years creating a man that treats people like a gentleman. He doesn’t offend, he doesn’t rock the boat. The Mask comes on so very easily, and yet comes off with the greatest of efforts. The Mask even creates his own emotion, develops his own personality. When trouble comes he is someone I can hide behind and trust to protect me from—


Me. Why do I fear myself so much? Why do the words I harbor inside my heart take so much gumption to vocalize? It takes great emotion to wrest my true feelings out of my grasping hands, and anger is no way to express one’s deepest convictions. Anyway, why waste one’s courage on standing up when I can stand the Mask up in my stead?


And the Mask is not so much a barrier as a crutch. I have discovered that people see the Mask as my true self. I have worn it so often and for so long that the reflection has become the image. Instead of facing my fears and insecurities, I simply don the Mask and all is taken care of. I am a prisoner inside my own body.


And what terrifies me most is my own admiration for the Mask. I see him as so witty, self-confident, utterly free from the pressure of what people think of him. I am not only guilty of hiding behind the mask and shamed myself for depending on him, I have the humiliation of considering him better than myself. The creator becomes the tool of his creation.


Where do you run from yourself? The Mask becomes alive, so vivid, and I question whether or not his reality. I ask if I hide myself—or if I invaded another’s personality. I must be satisfied with the man I was created to be, yet I am neither content nor satisfied. Instead I play-act within my own skin. Is the world my stage? Perhaps. More accurately, I am my own stage. This one man production plays for an audience that neither knows nor cares about its existence.


But once in a while, I have the satisfaction of knowing I have done something as myself. I have said something, done something of worth and integrity, that came from inside, came out without anger or fear, in spite of anger or fear. The Mask lay at my feet, while I was free to act as though no one was watching me or judging my actions—


Because no one is. Every once in a great while maybe, but my biggest critics, my biggest haters are me, myself, and I. I put on the Mask because I don’t like the real me, or because I’m not used to exposing the real me.


I hate the Mask. I admire him, but I love myself too much to let him waltz into the bedroom of my soul, put his hands on his hips and say “This looks like home.” The Mask is fickle, insincere, one dimensional. This isn’t about me someday being rid of the Mask. This is about me setting the Mask down, if only for a moment, and letting the real me show. This is about me doing so a little bit every day, until the Mask’s paint fades, its material cracks and withers, and I leave it behind as a tombstone marking the grave of the man I never should have been.

Saturday, February 5, 2011

The Darkness of Soul

Why are you downcast oh my soul, and why so despairing within me? Do you not remember the heat of the sun on your face? Or the cold rushing water over your feet? When did you forget the wonder of Grace in every blade of grass? Look not at the darkness in your own soul, but at the brightness of Hope and Love.

Why are you downcast oh my soul, and why are you so disquieted within me? Where is the assurance you gained from your accomplishments and victories? Do you remember the swell of pride when you painted a beautiful picture? Do you remember the warmth of satisfaction you gained from winning a soccer game? When did your conquest of 12 years of grade school fade from your thoughts?

Why are you downcast oh my soul, and why are you so restless within me? What happened to to the Love you had for your Creator? What became of the devotion you felt for Him? Did it fade when your Enemy rose up against you? Did it crumble when you succumbed to the seductiveness of sin? Do you not realize that there is One who would comfort you in your darkest hour? Do you see that there is a Friend who would join you in the depths of hell?

As the deer pants for brooks of water, so my soul pants for you oh God. When will I be able to stand before You, the living God? Deep calls unto deep, at the sound of your waterfalls. There was a time when I led Your people into Your house of worship. Now I feel as though I am cast out into the darkness.

Why are you downcast oh my soul, and why are disquieted within me? Put your Hope in the Lord, for I will Yet praise Him. He, who is my Savior and God.

Wednesday, February 2, 2011

A Tale of Three Chickens

I dedicate this story to my Mother -- she came up with the opening line.

Once upon a time, there were three chickens. One was fried, one was roasted, and one was grilled. Don’t ask me who cooked them, I wouldn’t know. The real question is, why were they left out on the buffet counter, abandoned to cool off? What has happened to American culinary pride that such priceless specimens like these fall to the wayside?

About the chickens. Everyone knows that breaded, deep-fried chicken is America’s signature dish. Well, besides hamburgers, deep dish pizza, and collard greens. What other country in the world is crazy enough to serve collard greens at Thanksgiving? That’s right, none! The presence of collard greens on our national menu just proves to our international neighbors that Americans are a bunch of rabbits!

But about the chickens. Fried chicken runs the culinary gamut from fast food to haut couture. Well, come to think of it, I don’t know if Chick-fil-A is considered haut couture. I do think it’s better than KFC though. Not that I really have anything against KFC, I just prefer a good, moderately moist chicken sandwich over dripping greasy wings. And don’t get me started on the prevalence of buffalo wings! Do you know how much salt they load on those things?

Right, chicken. Let’s move on to roasted chicken. This, I venture to say, is most certainly haut couture. You won't find oven roasted chicken in a KFC. Why? Because KFC doesn’t even have an oven! All they’ve got is a dirty, greasy, disgusting fryer that might have been cleaned last year, but probably wasn’t. Roasted chicken is reserved for the fine restaurants with their pristine rack ovens, wood fired and brick lined. Who wouldn’t want to eat a chicken cooked in one of those?

And speaking of ovens, do you realize how much difference there is between electric, gas, and wood-fired? Let me put it this way: would you like your bread toasted or microwaved? Do you want your pizza cooked on a seasoned baking stone, or a “stainless” steel slab treated with three months’ cheese residue?

Enough about that, lets get back to roasted chicken. Like I said, this chicken is high life. I can just imagine a good roasted chicken covered with herbs, rosemary, basil, and thyme. Maybe it could be stuffed with lemons and onions, just for that extra zing. Do you know how good all those garden vegetables taste together? And you can grow them in your living room window. All you need is a few small pots, some good planting soil, and lots of water. And the plants. Of course you can’t grow anything if there’s nothing to grow. Unfortunately, lemons and onions take considerably more space to grow, so unless you have a large garden/orchard/farm you probably will have to visit Whole Foods for these.

Let’s talk grilled chicken here. There is nothing like a good, well-seared, chicken breast with rice, plenty of sautéed veggies, maybe a glass of wine, Coke, tall Pelligrino, a gathering of friends and family around the campfire.Nothing like it. Except maybe a day on the beach, with freshly caught fish on the grill, coconut juice straight out of the shell, and enough pineapple to reduce your mouth to a bleeding mess. Sorry about that last part, but pineapple makes my gums bleed. I don’t know why. I’ve tried to ask my doctor about it, but he just laughed at me. Why do people laugh at me? I ask an honest question and they just go off on some completely unrelated topic? What’s up with that?

By the way, I’d get back to the chicken, but who wants to hear about the inside of a garbage disposal?

Owen's Story

Owen was admiring the Christmas lights when he ran into the other car. As he sat on the fender of his Lexus, phone pressed to his ear, the owner of the offended vehicle ranting in the background, Owen wished he could find some quiet corner to curl up and sleep.
“Hey Wendell, I won’t be able to make it to band practice tonight… No, I had an accident… No, a car accident... I’m fine, the other one was parked. Thanks, I’ll see you Sunday.” Owen muttered something under his breath as he hung up.
At least Owen had still been in the neighborhood, he hadn’t been going as fast. Still, running into anything at 25 miles per hour hurt. Owen’s lip had just stopped bleeding, and the pain in his right hand had faded, but he doubted the air bag powder would be coming out of his clothes anytime soon.
Owen enjoyed Christmas lights. He liked putting them up, stringing them around a tree, hanging them from the eaves. He had a definite appreciation for a well-hung string of lights. This appreciation led to rubbernecking, which had in this case led to him losing concentration and not noticing that he was veering towards a motionless two ton piece of metal.
Only a few weeks ago someone had put a rock through the Lexus’ window and stolen Owen’s iPod. It’d been hassle enough replacing the window. Owen had no idea how his parents would deal with replacing the front bumper, especially since this time the damage was completely his fault.
Red and blue lights appeared around the corner as the fire department arrived. “You all right kid?” one fireman asked as he jumped from the truck. A paramedic hurried over to check the cut on Owen’s lip, shined a flashlight in his face, and otherwise attempted to ascertain if the boy was injured. The owner of the other car, still in his bathrobe, was now complaining to a policewoman. The officer’s partner came over to Owen to ask about his insurance, and Owen went to unlock the door with his throbbing right hand.
Reality started to fade in and out. The policeman seemed to be speaking from three miles away at least, and a woolen bag seemed to have dropped on Owen’s head. In a moment Owen was at the church, at practice. He heard the choir singing, then looked over to see Jason yelling at him, shouting something in his direction.
“Hey, HEY, HEY!” he bellowed in Owen’s ear. Then Owen saw a medic standing over him and shivered as reality returned.
“Looks like you have a broken wrist son,” the man said. “Only a hairline fracture, though…” Owen felt something probe the damaged limb and nearly passed out again as a wave of nausea rippled through his body. “…probably need a cast,” the medic finished.
“How long will it take to mend?” Owen asked, grimacing.
“A month at least.”
Owen gazed at his wrist and nearly cried. Already it purpled, swelled, looked like something you’d find in a meat market garbage can. He attempted to twist it, but it hurt too badly. Now Owen really did start crying: he was supposed to play bass this Sunday, his first time.
“Don’t worry son, it’ll hurt like the devil for a while, but when it heals, it’ll heal clean.” The medic nodded knowingly as he stood Owen on his feet and walked him to the ambulance. Still talking, the man wrapped up the injured wrist in a bandage and fitted Owen out with a sling. “I’ve seen a lot worse breaks than this that’ve come out just fine. You’ll heal alright, it just takes time.” The medic handed Owen a Tylenol and a cup of water.
As Owen knocked back the painkiller, a policeman walked around the scene of the accident, camera in hand. Neighbors drove past, gawking, leading Owen to ponder the percentage of rubberneckers whose rubbernecking led to an actual accident. He saw one driver who nearly collided with a police cruiser.
Now the world started to blur again, and Owen was vaguely aware of his father arriving to pick up the car. Then Owen was lifted onto the medical stretcher in the back of the ambulance. The vehicle jerked into motion, and Owen looked over at the medic who’d bound up his wrist. “I guess I won’t be playing my bass for awhile,” he said. The medic’s kindly brown face smiled. “Maybe not for a week or so, but you’ll be able to play with the cast.” Owen nodded, then turned to stare up at the ceiling.
Three weeks ago, Owen had been in Jason’s office, listening as the music director had told him the good news. “Your theory’s improved a lot over the past few months. How would you like to start playing the end of the month?” Owen liked that a lot.
From then on it had been a matter of making sure he practiced the songs and worked on his technique. But Owen had cleared the biggest hurdle: he was playing, and that was what mattered.
Singing in the choir was great, but not a practice, not a service had gone by that Owen hadn’t wished he was up front, playing the bass. He’d mimic Corbin or Mark, oftentimes distract himself from singing as he watched the other bassists perform.
Now Owen wished that he hadn’t been so fixated on those Christmas lights. Two years of trying to be a responsible driver, and he’d blown it all away. More importantly, he’d let his parents down: they owned his car, and trusted Owen to do right by it.
Once they reached the hospital, the medics rushed Owen out of the ambulance into the emergency room. First the doctors X-rayed his arm to confirm the fracture, then the orderlies lifted him onto a cart and wheeled him to the operation room. There a stern looking woman put his wrist in a cast, hurriedly asking him what color he wanted, then got green when he asked for blue.
As the woman wrapped his wrist in garish green, Owen’s thoughts turned towards home. He wondered how his parents were doing, how angry they were at them. When the policeman had asked for Owen’s version of the accident, Owen had simply said that he took his eyes off the road. He didn’t mention the Christmas lights, he doubted that what he was looking at was important. At least he hadn’t been doing something really stupid, like changing the music on his iPod.
He could imagine Dad walking into the hospital, his mad face on. Dad never got angry, and when he did he never lost his temper. But he would use a low and even tone of voice that made you wish he’d yell and scream. Anything would be better than that quiet disappointment.
Mom might be easier to deal with, but who knew? Maybe she’d take pity on him, maybe she’d be angry. If Owen had broken something a little more vital than his wrist, maybe he’d have more luck.
Honestly, Owen mostly hoped neither of them would say anything at all—which was a nice thought but completely impractical. He’d have to face the music sooner or later.
After the cast set, an orderly walked Owen to a waiting room. “You have someone coming to pick you up?” the receptionist behind the desk asked.
“Yeah, my dad should be coming in a little bit,” Owen replied, sinking into a chair and adjusting his sling. He picked up a magazine but found it too awkward to hold with one hand, so he put it back. Fidgeting, Owen wondered how long Dad was going to be. The clock on the wall read 9:00 pm; practice would be over by now. Owen thought back to last week’s practice. He’d been working all week on a particular bassline, and that practice had paid off. No less than three others congratulated him afterwards on his playing. A flush of pride came to his cheeks as he remembered their praise.
But what is it that you want out of this? Owen asked himself, suddenly thoughtful. The praise of men or the satisfaction of doing your best? He knew the answer but was almost afraid to admit it.
Dad arrived. Owen could see his head over the reception desk, and heard him talking to the woman on the other side. Owen stood, walked towards his father.
“Owen,” Dad said, his eyes grave. “How are you feeling buddy?”
“I think my pride’s hurt more than anything,” Owen conceded.
Dad signed something, then led Owen out of the building. “So you’ll be wearing that cast for a few weeks, looks like,” Dad commented.
“Just a few,” Owen replied.
“Are feeling all right? You hungry?”
“I suppose. I just want to get home right now.” Dad nodded. He opened the door for Owen, who clambered in.
“Do you want to tell me about the accident?” Dad asked.
“Not much to tell,” Owen muttered.
“What’s that?”
“I said, there’s not much to tell!”
“Oh.” Dad was quiet.
“I was looking at the Christmas lights, didn’t notice I’d swerved off the road,” Owen said at length.
“I guess you’ll know not to do it next time,” Dad said.
“Unfortunately.” Owen was silent for the remainder of the journey.

Sunday was quiet, at least by Owen’s standards. He sang in the choir, watching Corbin play the bass the whole service. Jason came up to Owen after service.
“I hear you’ll be out of that sling next week. Will you be ready to play next Sunday?”
Owen nodded. “I still wish I could have played this week,” he said, looking at his cast. “This is the first time I’ve ever broken a bone.”
“We all have those times, don’t worry about it. It’s part of learning to be responsible.” Jason nodded. “See you on Tuesday then?”
“Yeah, see you then.”

Tuesday, February 1, 2011

How to Lift a Piano (and Other Impossible Things)

A hot day in the City. Muggy sea air rolls over the high rises and irritates the men clustered around the black behemoth. What floor’s she on? a man in oily coveralls asks. Penthouse, comes the answer. I’ll go get Superman, a leather jacket clad one says. Maybe he can fly it up there for us, and we’ll go find a cold Pepsi. You don’t even like Pepsi, his friend protests. Not as much as I don’t like moving Grand Pianos, leather jacket replies.
A tall and striking woman glides through their collective minds. This is a woman of wealth and class, as well as considerable talent with the ivories. They see her in darkened ballrooms, cavernous concert halls, before men of influence and power. She sits in front of a black monster much the one the men gather around now. They see her fanning herself with a fistful of dollars as she nods them towards the same.
I still say we ought to get a Pepsi, leather jacket grumbles. His friend starts chewing a quid of tobacco, then spits. Move this thing, then we’ll find you that Pepsi, tobacco quid says.
The gang boss pulls on an enormous pair of leather gloves, then nods to oily coveralls. Oily coveralls proceeds to wrap the piano’s four legs with rags and bind them up with twine. Tobacco quid grabs a heavy tarpaulin and throws it over the piano top while leather jacket ties it down.
Gang boss looks up at the building, thinking of the windfall this job would bring. We get this done, he’d told the men, and we’re all eating steak tonight!
The men finish wrapping up the black beast and look to gang boss for direction. Roll it into the lobby boys, and the three men push it into the building while gang boss holds open the door.
The room is huge, with white stone floors and gold leafed ceilings. A crystal chandelier hangs from the peak, and tobacco quid looks longingly at it. Love to have one of those at my place, he says, juice running down his chin.
You there! an outraged voice shrills. No tobacco allowed in the building! A pompous little man in rather large evening wear marches over to the group. If you would, sir, I must ask you to dispose of your quid. And not here! he shouted as tobacco quid nearly spat on the floor. Kindly remove it from your mouth outside, in a proper receptacle.
Tobacco quid walks back outside. No waste basket is in sight, and he is forced to walk across the street to spit his quid into the gutter there. He crosses the street and reenters the hotel, only for the other three men to pass him with the piano. And remember, evening wear calls after them, no tobacco!
What’s eating him? tobacco quid asks. He won’t let us roll the piano across his marble floor, leather jacket huffs. We got to wrap the rollers in canvas. And then we got to carry it! And he wouldn’t let us wrap those rollers in there!
Don’t let it get to you, gang boss says, just remember, we finish this job and we’re eating all eating steak tonight. He crosses his arms and looks wise as the other three struggle with the piano. You could use some bags for that, he interjects, then snorts when oily coveralls asks him to get the bags himself.
Now very hot and irritable, the three men lift the piano and hoist it through the door, which gang boss gallantly holds open. Where’s a good doorman when you need him? leather jacket grumps. Inside the building, the three stagger towards the elevator. Just as gang boss reaches for the call button, evening wear bursts from behind a desk, screaming to wake the dead. No, no, no! he shrieks. This lift is for tenants only! You need to take your freight to the freight elevator!
And where might that be? gang boss inquires. At the rear of the building, of course. Evening wear regards the man with a look normally reserved for small children. Where’s the door? Oily coveralls asks. At the rear of the building of course. Evening wear now regards the lot of them with a look normally reserved for mental incompetents.
The men again emerged into the sunlight. I’m gonna wring that goose’s neck, leather jacket growls, a bead of sweat dripping off his nose. Now, now, gang boss soothes, don’t let him get under your skin. We finish this job, and we’re all having steak for dinner! The three men glare at him. Dry up on the steak, and I’ll let you have mine! leather jacket barks.
I can’t stand this! oily coveralls collapses on the sidewalk. I should’ve worn my Levis instead. Wiping his face on his sleeve, oily coveralls heads back to his apartment. The other two men stare after him. Well how do you like that? leather jacket says loudly. He turns to gang boss. Can I have his steak? Don’t hold a grudge, gang boss says, frowning. Now come on, we need to move this thing.
Still exhorting, gang boss directs his crew of two to lift the piano and remove the coverings from its rollers. That done, the soaking wet men push their black burden down the street and around the corner to the rear of the building. An alleyway appears, choked with packing cartons and wooden pallets. Gang boss surveys the mess, then turns to his men. Looks like you’ve got your work cut out for you boys! The men look at each other, then at the rubbish, then at gang boss. They get to work.
Now, covered in dust and stray bits of cardboard, they again pick up the piano to lift in through the path they’ve made. Stepping over stray wooden planks and odd boxes, they make their way to the rear entrance where gang boss obligingly holds the door open.
It won’t fit, leather jacket protests! looking at the hallway and then at the piano. It will if you carry it on its side, gang boss replies.
Stumbling, the men lift the black dead weight on its edge and advance into the hallway. Watch out for the lamps! gang boss exclaimed as tobacco quid knocked into one. At the end of the hallway a maid stood by the elevator, her face blank as she stared at the advancing mass. Hold the door, will you! leather jacket calls. The big lift doors opened just as the crew arrives.
The maid pushes her cart into the elevator, followed by the piano. Tobacco quid squints at the button panel. There isn’t a penthouse button, he said. Don’t worry, it’ll be the one at the top, gang boss says confidently. At that moment the door leading out to the alley opens to reveal oily coveralls, dressed in his Levis and shirtsleeves. The elevator doors close on him sprinting down the hallway.
The lift is slow, and leather jacket wipes the sweat off his forehead, then looks at the maid. Couldn’t this trap move any faster? he asks. The maid opens her mouth, but gang boss intervenes. Forget about it! Remember, we finish this job, we’re all having steak for dinner! Leather jacket cracks his knuckles.
At length the lift reaches their floor, and the doors open to reveal oily coveralls, winded and perspiring. How’d you get up here? leather jacket exclaims. Took the fire escape pants oily coveralls. Need a quid of tobacco. Tobacco quid obliges, and oily coveralls chews with gusto.
Gang boss surveys the hallway they’ve entered as the reunited threesome moves the piano out of the lift. Excuse me miss, but could you tell me how to get up to the penthouse? he inquires of the maid. Oh you can’t reach it from this elevator, she replies. You’d have to use the front lift. So saying she walks off with her cart.
The three men stare after her. Gang boss smiles. Don’t worry boys, we finish this job—
THAT’S IT! leather jacket bellows. He points at gang boss. You take this load and I’ll find us a way out of here! Gang boss laughs, sees the looks on the other’s faces, then takes his place by the piano.
Leather jacket runs down the hall after the maid, then returns. We take the lift down to the second floor, he growls, we can carry this around the front elevator. The four move the piano back into the lift and oily coveralls hits pushes the second floor button.
Pushing the piano through the second floor, the crew encounters no resistance. The rollers sank in the soft carpet, and tobacco quid noticed black streaks being left behind. He points this out to leather jacket. Check the rollers, leather jacket instructs. The men look the rollers over, and gang boss finds a lump of grease on his. Found it, he says, wiping the grease off on his coveralls. The group proceeds to the front elevator.
Pressing the call button, the doors open to reveal a fashionable couple already in the car. This car’s already occupied, thank you, the woman says, turning up her nose. The man grins and stammers something. I wasn’t going to ask, leather jacket says, but since you’ve been so polite, why don’t leave us the car? Looking at the rough crew and their mysterious freight, the man nods eagerly and drags the protesting woman out of the elevator.
Loading the piano into the elevator, leather jacket locates and presses the penthouse button. See, he says, pointing to the button, it’s labeled ‘penthouse.’
This lift was much faster than the freight elevator. The doors open, and the men drag their load to their destination. Leather jacket knocks on the door, waits. The others stand very still. Nothing happens. Leather jacket knocks again, harder this time. Still nothing. Maybe she’s out? tobacco quid ventures. Leather jacket looks out a window, then strips off his jacket. Here, he says, handing it to tobacco quid. He then yanks the window open and steps onto the ledge outside.
The other three cluster around the window to watch leather jacket’s progress. First he nearly stumbles on the ledge. Then a bird lands on his shoulder and begins pecking at his head. Arms flailing, he manages to dislodge it before he disappears around the corner of the building. The three wait, waiting for a scream to break the silence. Instead they hear a door open. Leather jacket steps out into the hallway, face expressionless. The door was unlocked, he comments.
The penthouse is predictably roomy. A large space by a now open window beckons, and oily coveralls looks for a place to throw the leather jacket. Seeing none, he puts it on and helps push the piano into the apartment.
Just as the last of the wrappings come off, a tall and elegant woman walks through the door. Excellent, she cries, waving her hand. It is beautiful! She walks over to it, then frowns. Dear me, I forgot to order a bench. Leather jacket looks at tobacco quid, then back at the lady. We can do that, as long as they let us come through the front this time.
Oh, did you have to come through the back? All you had to do was show my receipt and you would have been allowed. The three men wheel on gang boss, who shies away. I lost it, he trails off, didn’t want to cause any trouble. Anyway, the woman continues, here’s your money. Should be good for a few steaks at least! At least, gang boss mumbles. Leather jacket glares.
In the lobby, the gang stands by the front door, admiring the sight of the steakhouse across the street. Leather jacket fiddles with the lid on the Pepsi tobacco quid bought him. Gang boss, good humor restored, reminisces about what a good job they did. Evening jacket sees them and stalks across the room just as leather jacket pops the lid on his Pepsi and takes a swig. Evening jacket arrives in time for leather jacket to spew the drink in his face. I declare! the soda soaked man sputters. Leather jacket wipes his mouth and grins. I hate Pepsi!

Monday, January 31, 2011

The Big Whup

I was three feet from the fire hydrant when it exploded. Billowing clouds of scalding water shot a hundred of feet into the air. Rain began to fall, and there wasn’t a cloud in the sky. Leastways there wasn’t before the fire hydrant lifted off.
Who knows where the hydrant itself went; maybe to the moon for all I know. I cared only about getting out of the way in time to avoid that boiling rain. It sizzled against the sidewalk as it fell, narrowly missing my exposed flesh. My minimalist running garb left me unprepared for the emergency facing me.
I twisted and bolted, back towards the park and water service station. One rarely saw anyone out running this early in the morning, even someone training for soccer, but a seven-thirty orthodontic appointment necessitated my early start. Now I stretched my tired muscles and bolted for the safety of the greenbelt.
I heard the wail of sirens in the distance as I sprinted though this quiet suburban neighborhood. Steam billowed all around, and I fought to escape the suffocating prison. Arms flailed about, attempting to clear my line of sight. Sweat poured down my face and my heart pumped beloved oxygen through my veins. I hesitated to take a long draw at my water bottle before blazing away again. What was going on?
Then I heard the squeal of tires. Glancing back, I saw the flashing of policeman’s lights. A voice boomed after me, demanding that I stop. I didn’t, perhaps the first time I ever disobeyed an officer of a law. Someone blamed me for the hydrant, I guessed. The wailing siren wailed louder. I ran harder, putting all my energy into an all out sprint for my dignity.
The curb came up quickly. I nearly stumbled but managed to keep my feet. I ran like a deer fleeing a mountain lion, with the lion closing in. I busted out towards the water plant. A hundred yards, fifty, twenty-five open lay before me as I closed the distance. The police cruiser was attempting to jump the curb and follow me on the grass. I leaped, gathering all my momentum and channeling it into a magnificent leap. My hands caught the top of the chain link fence and I vaulted over. I dropped my bottle in the process, and I momentarily regretted the loss. But worse problems lay behind.
A big bunch of buildings connected by pipes above- and below-ground made up the water works. The buildings housed filtering stations, pumping machines, and other such places. I noticed a big truck parked out back of the pumping station, attached to the nondescript building by a thick metal hose. I thought little of it, and hoped that the staff wouldn’t call the cops or turn me in. If they did, I’d sue.
The police had reached the compound, now busy working on the lock. I scooted behind the pumping station and hid under the truck. Seeing no one about, I took the time to look at this truck. It had some sort of switch board along the side of the rear right fender, and a dial marked in pounds. Odd, I thought, since the pressure control and pumping ought to take place inside the pumping station. Then, on a hunch, I turned the first valve all the way up. The second dial I also turned up to the max. All the other switches I flipped off.
I heard the grinding of metal on metal, the sound of policemen filing through the bars. Now I slipped inside the unlocked door of the pumping station, quietly and hopefully unnoticed by anyone watching or listening. I had a pretty good Idea of what was going on here. If I caught my suspected crooks in here, the cops might let me go.
Two men worked at some sort of switch board inside the station house. I couldn’t understand what they were saying, but their gestures and postures indicated agitation. Completely engrossed with watching some sort of display, they fiddled with some level indicators marked in pounds. The men, though dressed in city uniforms, seemed to be anything but. Greasy hair, dark eyes and haggard faces: classic bad guy.
Three wheels sat on the wall opposite these two wise guys. One was marked ‘incoming’ the second ‘outgoing’ and the third simply ‘internal pressure.’ Sliding over to the wall I tested the ‘incoming’ wheel. It was turned hard left, meaning that whatever valve it controlled was closed. The ‘outgoing’ was completely open and the ‘internal pressure’ was also completely open. A completely crazy idea took hold of me.
Fortunately the greased wheels made little noise and the sound of rushing water drowned out what few squeaks there were. The ‘incoming’ valve I opened completely, the ‘outgoing’ valve closed, and I left the pressure the same; at the highest. The note of the rushing water changed, and the two guys glanced back at me, or rather they glanced at the wheels and saw me. Looks of shock crossed their faces.
One bolted for me, the other for the tanker. I ran after the first guy, and managed a flying tackle. Then the second guy was on top of me. Here we wrestled, me throttling the one hood, his partner throttling me. Then someone shouted the sweetest words I ever heard: “You are surrounded. Come out with your hands up.” The police had both made it through the gate and with backup. After pulling in several deep breaths, I stood and grasped both men by the back of the neck. Leading them thus, we advanced out into the sunlight.
Of course they had to arrest me. The other two claimed that I had assaulted them and had tried to resist. However, their obvious agitation made the officer suspicious. When he made a move to go investigate the pumping building, the two tried to stop him. I’ll never know what would have happened next. Instead, I was vindicated in a most spectacular way. First the filtering building shuddered. Then the underground pump leading to the pumping station blew, sending sod flying into the air. Finally the pumping house itself exploded in a shower of scalding water, the force of the blast sending the filling truck end-over-end three times before stopping at the fence.
Two hours later, hopelessly late for my orthodontic appointment, my mom took me home. I had endured an hour of questioning and another forty-five minutes of informing. Apparently, these two fine citizens were terrorists. They had filled this truck full of boiling water, equipped the apparatus with a pump and, worst of all, ten one-gallon tanks of anthrax spores. The setup was intended to send the anthrax spores around the city via the steam in the water system. By some miracle, since I chose to turn off all ten of the pumps to these tanks, I rendered them useless to the terrorists. As for the fire hydrant, the police determined that a faulty bolt had caused it to blow early. Then, while leaving the police station, the police chief pulled me aside to bestow a tidbit of simple advice:
“Son, the next time you decide to go on a run, please don’t.”